Cover Your Ears! Censored Music Through The Ages

headphones

The history of banned and censored music is, unfortunately, as long and varied as the history of music itself. Wherever there’s great art being made, the morality police are always close by. Read on as we revisit some of the most notoriously “vile,” “suggestive,” “vulgar,” “crude,” “un-American” and completely faaaaaabulous songs of the past half century!

Go ahead, click to corrupt yourself!

Lucinda Rocks us Hard

https://i2.wp.com/www.cmt.com/sitewide/assets/img/news/2005/09_05/austin_city_limits/lucindawilliams-280x336.jpg

Lucinda Williams has always been adept at painting landscapes of the soul, illuminating the spirit’s shadowy nooks and shimmering crannies — but she’s never captured the sun breaking through the clouds as purely as on her new Lost Highway release, Little Honey.

“I’m in a different phase of my life, so there are more happy moments on this album,” the singer-songwriter says of her ninth studio set. “ ‘Darkly introspective,’ is one phrase people have used to describe a lot of my songs. There are moody songs, but I’m looking outside myself a little bit more. These aren’t ‘boy meets girl, boy leaves girl, girl gets bummed out’ songs — there’s a lot more than that going on.”

Williams wastes no time signaling that mood change, leading into Little Honey’s opener, “Real Love” with a false start riff that’s the six-string equivalent of a friendly wink – then sidling into the tune’s hard-rocking vibe with a sensual slink that underscores the passion of finding exactly what that title indicates. The bluesy physicality of that tune is echoed in several of Little Honey’s tracks, from the charmingly chugging “Honeybee” to the gorgeous melodies of “If Wishes Were Horses”.

“I’m stepping out and writing about things other than unrequited love. But because that’s not part of my experience anymore,” she explains, “doesn’t mean I’m going to stop being a songwriter. There are plenty of other important things to write about — the state of the world, for one thing — I don’t buy into the myth that because you get to a certain level of contentment, you have to throw in the towel.”

While Little Honey certainly has plenty to move the hips, Williams doesn’t neglect her uncanny ability to do the same to the heart. The sparse delta delivery she affords “Heaven Blues” — a keening consideration of what might await on the other side – hits home thanks to its arresting blend of hope and vexation, while the epic “Rarity” rides soft waves of brass (instrumentation never before heard on one of her discs).

“The one thing the songs have in common is directness,” she says. “The beauty of country and blues is their simplicity, it’s about getting things across in a really direct way. I’ve spent a while stretching out and going in different directions, which is my nature. But I feel that I can always embrace that original simplicity again — that’s why I went back to record ‘Circles and Xs,’ which I actually wrote back in 1985.”

Over the course of a recording career that’s now in its fourth decade, the Louisiana-born singer has navigated terrain as varied as the dust-bowl starkness of her 1978 debut Ramblin’ (recorded on the fly with a mere 250 dollar budget behind her) and the stately elegance of last year’s West (which Vanity Fair called “the record of a lifetime”). Between those signposts, Lucinda Williams established a reputation as one of rock’s most uncompromising and consistently fascinating writers and performers, earning kudos from artists as diverse as Mary-Chapin Carpenter (who helped win Williams a Grammy with her recording of “Passionate Kisses”) and Elvis Costello (who joins her for a duet on the Little Honey mini-drama “Jailhouse Tears”).

Williams learned the importance of professional integrity around the same time most kids are learning their ABCs, thanks in a large part to her award-winning poet father Miller Williams — who invested her with a “culturally rich, but economically poor” upbringing where artistic expression was of primary importance. Later, she’d hone her vision playing hardscrabble clubs around her adopted home state of Texas, absorbing the influence of sources as varied as Bob Dylan and Lightnin’ Hopkins.

“I sometimes say I just started out singing folk songs acoustically by default,” she recalls. “Even when I was playing open mic nights by myself, I’d be sitting up on stage with my Martin guitar doing ‘Angel’ by Jimi Hendrix or ‘Politician’ by Cream alongside Robert Johnson and Memphis Minnie songs. It never occurred to me to pick just one style.”

She’s never settled for any sort of pigeonholing, entering the ‘90s with the slow-burning Sweet Old World — a disc that, as much as any release, helped place the Americana movement at the forefront of listeners’ minds — and cementing her own spot in the cultural lexicon with 1998’s rough-hewn masterpiece Car Wheels on a Gravel Road.

The latter disc earned Williams her first Grammy as a performer, but rather than try to capture the same lightning in a bottle a second time, she stretched her boundaries on 2001’s Essence, an album rife with both cerebral interludes and soul-stirring stomps. In recent times, Williams has broadened her palette even further through frequent collaborations with kindred spirits — acts as varied as The North Mississippi All-Stars and Flogging Molly — who share her uncommon sense of non-revivalist traditionalism.

Little Honey continues that ongoing forward quest, mixing country, R & B and blues-rock elements with adventurous aplomb. The disc gets an added octane boost from the powerful chemistry between the musicians, primarily drawn from Williams’ latest road band (now collectively known as Buick 6) — includes bassist David Sutton, Eels veterans Butch Norton and Chet Lyster as well as longtime collaborator Doug Pettibone.

Williams augments that core unit with a passel of like-minded folks spanning a huge chunk of the musical spectrum, from octogenarian singing legend Charlie Louvin to power-pop vets Susannah Hoffs and Matthew Sweet, the latter of whom helped arrange the Spector-tinged “Little Rock Star” — applying studio skills that prompted Williams to dub him “this generation’s Brian Wilson.”

“I feel that this is the most eclectic record I’ve ever done, and I’ve always been known for being eclectic,” she says. “ For this album, I was comfortable just letting the songs flow, and not worried about being so serious and heavy and having to top myself — and I think that shows.”

She needn’t have worried for a minute because, with Little Honey, Lucinda Williams has indeed topped herself again.

Stream tracks from the new album Little Honey

Lucinda video about her latest album- interviews, music and more

Also check out Muzzle of Bees coverage

with special guests BUICK 6 Saturday, October 25, 8pm Orpheum Theatre 608.255.0901 $30 — all ages BUY TICKETS NOW ! Available at the Orpheum Box Office, all Ticketmaster outlets, charge by phone at 608.255.4646 ( $1.00 per ticket to benefit local non-profit )

Tapes N’ Tapes Ticket Giveaway

This will be an especially good show for those of you in the throes of moving..get out, get some AC, get a nice cold one in hand, ahhhhhhhhh…

August 15
WORT-FM
TAPES ‘N’ TAPES

“Insistor” video and free download- Tapes N’ Tapes

Tapes ‘N ‘ Tapes- Insistor, 2006 The Loon


Friday, August 15, 7pm doors, 8pm show

with
FEVER MARLENE
and
TULSA

Majestic Theatre
608.255.0901
$12 adv $12 dos – all ages
BUY TICKETS NOW !

First person to respond with a comment on this post wins 2 guest list spots!

(If you are on our home page and wish to comment simply click the title of this post and scroll down- thanks)

This Week’s Shows: Downloads, Videos, Reviews, oh my

It’s a full week around these parts, you can enjoy your Pitchfork and get the good stuff at home too..Bottomless Pit, Immortal Technique, The Hold Steady, Colour Revolt, Bob Log III, and Scott Biram all grace our city in the coming days, check it out.

Friday July 18

BOTTOMLESS PIT (featuring former members of Silkworm)

Genre: Rock/ Dub/ Folk Rock

May Sound Like: Yeasayer, Frog Eyes, Times New Viking, Evangelicals, Phosphorescent

“..edgy post-punk hooks and understated vocals” -Three Imaginary Girls


bottomless pit

Free downlaod:

Bottomless Pit- The Cardinal Moments

with special guests THE KADANE BROTHERS (Bedhead, The New Year) and EL VALIENTE

9:30 pm High Noon Saloon 608.268.1122 $8 adv $10 dos

21+ BUY TICKETS NOW!

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Sunday July 20

WORT-FM welcomes The 3rd World Tour IMMORTAL TECHNIQUE

Genre: Hip-Hop

Similar to: Dead Prez, Non Phixion, Atmosphere, Talib Kweli, Mos Def, Black Star

“..a Hip hop MC and political activist, he is of Afro-Peruvian descent and raised in Harlem, New York. The views expressed in his lyrics are largely a mixture of commentary on issues such as poverty, religion, and racism..” –immortal-technique.com

Immortal Technique- Dance with the Devil

with special guests DJ G.I. JOE, POISON PEN, THE CIRCLE, DJ ARCH

9pm doors 8pm High Noon Saloon 608.268.1122 $14 adv $16 dos

18+ BUY TICKETS NOW!

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Monday July 21

True Endeavors and ACG present

THE HOLD STEADY

Genre: Rock

Pairs well with: The National, TV on the Radio, Clap Your Hands Say Yeah, Sonic Youth

“The Hold Steady might just be the best bar band in America. With its riff-heavy mixture of classic rock and Craig Finn’s lyrically dense storytelling, the group crafts intricately detailed musical universes that have already made it a critical darling and fan favorite.” -NPR

The Hold Steady- 2005 Interview

with special guests THE LOVED ONES

8:00 pm Majestic Theatre 608.255.0901 $16.50 adv $18.50 dos

all ages BUY TICKETS NOW!

____________

Tuesday July 22

COLOUR REVOLT

Genre: Indie/ Rock

They might enjoy: Pedro the Lion, Minus the Bear, Sufjan Stevens, As Tall as Lions

Colour Revolt- Interview

Free Download:

Colour Revolt- Naked and Red, 2008 Plunder, Beg, and Curse

with special guests JAVELINS and THE FELIX CULPA

8pm The Annex 608.256.7750 $8 adv and dos

18+ BUY TICKETS NOW!

____________

Wednesday July 23

WORT-FM Hillgrass Bluebilly presents BOB LOG III + SCOTT H BIRAM

Genre: Blues/ Punk (Heads up: lyrics at the show will be of a “dirty blues” nature and may be offensive to some)

Also on this ipod: blues, blues, blues, and some Stray Cats

“..an American lo-fi punk blues musician, singer and songwriter who performs as a one man band. During performances, Log wears a blue full-body jumpsuit and a bubble-mask motorcycle helmet wired with a telephone microphone which allows him to devote his hands and feet to guitar and drums, respectively…” -Wikipedia

Bob Log III- Make You Say Wow

with special guest LEFT LANE CRUISER

9:00 pm High Noon Saloon 608.268.1122 $10

18+ BUY TICKETS NOW!

This Weeks Shows & Downloads

We’ve got lots of videos, interviews, and songs you can watch or download for your very own.

Enjoy!

Friday June 27

ROSE POLENZANI

Genre: Indie/Folk/Americana

+

MEG HUTCHINSON

Genre: Folk/Acoustic/Pop

The Boston Globe describes her sound as “elegant and free-floating melodies that feel both modern and rooted.

Song for Jeffrey Lucey- Meg Hutchinson

with special guest ROSE COUSINS

Friday, June 27, 6:30 pm early start time High Noon Saloon 608.268.1122 $10 – 18+

BUY TICKETS NOW!

____________

Sunday June 29

PETE FRANCIS (of Dispatch)

Genre: Rock/Folk Rock/Jam Band

In his songs a poetic tension exists between textured imagery and pure improvised rock and roll. The record expresses Francis’ soulful rock, folk and blues influences with layered instrumentation of B-3 organ, lap-steel guitar, mandolin, and a driving rhythm section.

Similar to: Slightly Stoopid, John Butler Trio, Matt Nathanson, & Matt Costa

Shooting Star and the Ambulance- Pete Francis

Pete Francis Interview

with COLOURMUSIC

Genre: Pop/Rock/Experimental

messily refined indie rock..and innovative, yet catchy, melodies that work their way into your head without you even knowing it..wildly inventive shows, and it’s while performing that the band’s vivid personalities come through.

Similar to: The Flaming Lips, Clap Your Hands Say Yeah, & Kings of Leon

Circles- Colourmusic

Free Downloads:

Colourmusic- Yes Yes Yes

Colourmusic- Circles

Colourmusic- Calling Your Name

Sunday, June 29, 8pm High Noon Saloon 608.268.1122 $10 –

18+

BUY TICKETS NOW!

____________

Thursday July 3

DEAD CONFEDERATE

Genre: Rock/Psychedelic

Though the band is pinned as producing the same kind of indie rock aesthetic à la My Morning Jacket and Band of Horses, Dead Confederate dabbles in darker shades than their compared predecessors..Dead Confederate echo the Drive-By Truckers’ bittersweet southern rock angst with the smoke-heavy swagger of the Black Angels.

The Rat- Dead confederate

Dead Confederate Interview

Free Download:

Dead Confederate

with special guests ROCK PLAZA CENTRAL

Genre: Folk/Americana

After a pair of glowing reviews from the influential music website Pitchfork they have recently come to prominence as a major indie rock band.

..evocative lyrics and powerful instrumentation..an outstanding fusion of alt-country earnestness and indie rock absurdity. Without any trace of flaunt or deliberateness, this homespun epic proves as casual in tone as it is ambitious in scope… sure to have tears welling and fists aloft in raucous salute.”- Josh Berquist, PopMatters, April 2007

Similar to: Okkervil River, Bonnie ‘Prince’ Billy, M. Ward, The Avett Brothers, & My Morning Jacket

My Children, Be Joyful- Rock Plaza Central

Rock Plaza Central Interview 2007

Free Downloads:

Rock Plaza Central- My Children, Be Joyful, 2006 Are We Not Horses

Rock Plaza Central- We’ve Got a Lot to be Glad For, 2006 Are We Not Horses

Thursday July 3, 9pm High Noon Saloon 608.268-1122 $8 adv $8 dos

18+

BUY TICKETS NOW!

____________

Friday July 4

WORT-FM welcomes

STARS AND STRIPES EXTRAVAGANZA featuring ROBBIE FULKS AND FRIENDS

Genre: Country/Indie/Bluegrass

While most current country music is calculated to form an inoffensive backdrop to the suburban shopping experience, Robbie Fulks writes songs that make you think and feel and quite often laugh out loud.

Similar to: Steve Earle, Neko Case, & Lyle Lovett

Cigarette State- Robbie Fullks

plus ROMANTICA

Genre: Americana/Folk/Pop

With an album on Paste Magazine’s Top 100 of 2007 and comparisons popping up all over the place between singer/songwriter Ben Kyle and both Jeff Tweedy and Ryan Adams, it probably won’t be too long before you’ll no longer be able to catch these guys in such a cozy venue.

Drink the Night Away- Romantica

Free Downloads:

Romantica- The Dark (with Ryan Adams)

9:30 pm High Noon Saloon 608.268.1122 $15 adv and dos . 21+

BUY TICKETS NOW!

____________

Best Music Hang-outs Online: Social Networks Part 1

With the overwhelming array of choices and services for the ordinary music fan or band I decided to take some time to look over online music spots. I quickly realized that no list could ever be complete (without you crying for me to stop at least).

I’ll start with some music-centered social networking site picks for this week, and then continue on with others in a future post. Here is my own compilation of the best, weirdest, or at least most unique sites..

what are your faves?

LAST FM

This site refers to itself as the “social music revolution”. LastFM is one of those smart sites that reads the contents of your personal music catalog (upon registration) and makes recommendations as to other music you might like. It offers up a personal profile, radio players, artist pages, concert updates, music videos, free song downloads (thought you might want to go straight to that one), and more. Bands can create their own pages as well and anybody can upload music.

Here’s how they put it: Last.fm taps the wisdom of the crowds, leveraging each user’s musical profile to make personalised recommendations, connect users who share similar tastes, provide custom radio streams, and much more..we are a London-based company with a music-obsessed team of developers and creative professionals from around the world.

So there you go.

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MYSPACE:

I know that everyone and their grandmother knows about the MySpace empire, but I can’t really write this without including them. Although it is not just a music site Myspace is used by just about every band in existence. It is an easy access tool to the latest updates, tour stops, blogs, music, downloads, photos, etc from bands and is totally free for any band to use.

Organized and easy use, you don’t have to be web savvy at all to have a really cool personal or band site, or to find out more about your friends new favorite band. I am often surprised at how many bands also offer free downloads from their sites. Probably more used as a social networking tool by bands than any other site in existence, it is definitely the most direct way to hear from and hear literally what bands are up to.

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ALL AT ONCE:

This site is different than the others in two main ways: 1.) It is based entirely on the music of Jack Johnson, and 2.) The primary focus is purportedly to be a new social action network where you can discuss issues and events, explore non-profit groups, and take action to make positive change in your local and world community.

I am unsure if there exist other “social action network” sites that center around music but it is an obvious collaboration. If you sign up you are the lucky recipient of a free download, access to the community discussion forums, upload videos of your own community projects, and can give money to select organizations. Mostly however this site appears to be an online Jack Johnson alter. Anybody have experiences here or know of other music & social action sites?

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MOG:

Another smart music site (and one of my faves) is MOG. This site also reads your music files and makes personalized recommendations. MOG is essentially a blogging site for serious music fans. The personal pages offer many options and it is likely you will find complete strangers offering up earnest and intelligent comments in response to your posts. There are also artist pages where anyone can add info about specific bands and musicians. The user generated writing is high content and high quality- many “Moggers” are clearly in the music industry.

From the horses mouth: Imagine if Rolling Stone or MTV had thousands of writers and producers contributing news, reviews, songs, and videos that were filtered based on what you were listening to, so you could always find the good stuff. That’s exactly what MOG is doing..One of the first online communities built exclusively for music lovers, MOG was founded in June 2005 by CEO David Hyman. MOG has been funded to date by Angel investors and is headquartered in Berkeley, CA.
The MOG Gazette

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ILIKE:

Ilike is probably most well known by it’s Facebook application. This smart player (through the website) also reads your music collection, and gives you personalized recommendations. It is very friend centered; you receive more recommendations with additional friends, it displays what your friends are listening to, and it will give you a detailed breakdown of how your tastes are similar or different than theirs. Additionally you can program it to give you recommendations through your ITunes account as well as other channels. Artists may also create their own profiles.

The same company runs the “artist community” Garage Band and a “broadcaster community” called G Cast. They say: We invite every music lover to participate in a more democratic music industry. By rating, recommending, or simply by listening to music, you’ll impact what gets recommended to others.

– social music discovery

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JAM NOW:

Unlike the others, this social network is aimed at primarily at musicians. Both musicians and music fans can create their own profiles which include basic descriptions. The very unique feature here however is that musicians can broadcast live over the internet, even jamming with other musicians anywhere in the world through the site. Keep in mind, that such internet use will require a more than decent modem/router set up, personally I have my sights on the ubee modem, their product line is sturdy and without extra bells and whistles. Meanwhile, fans as well as musicians and site members can listen in.

Self description: Unlike sites that allow users to “post and listen” to audio content, our innovative technology platform enables real-time music collaboration and creation, linking musically oriented communities of interest.

Now that’s cool.

JamNow Forum

MOG