Just Announced Madison Concert + Win Tickets Before You Can Buy: Bob Log III, 09.29.11

Thursday, September 29, 2011

BOB LOG III

Bob Log III

The Annex, 9pm

$10 ADV $12 DOS, 21+

Tickets available on our Music Calendar soon!

***Be the first to comment on this post and you’ll win a pair of tickets to the show!  (Click the title of the post to access the comments section.)

Related Content:  Live Concert Photos: BOB LOG III At High Noon Saloon (8.5.10)

Just Announced Madison Concert: The Damned Things

Thursday, February 3, 2011

THE DAMNED THINGS

The Damned Things

Featuring: Scott Ian & Rob Caggiano (Anthrax), Joe Trohman & Andy Hurley (Fall Out Boy), Keith Buckley (Every Time I Die)

The Annex, 8pm

$13 ADV $15 DOS, 18+

Tickets will go on sale Monday, December 20 at 4pm and are available through our Music Calendar, Ticketmaster.com, B-Side Records, and the Regent Street Retreat.

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Tonight’s Set: Throw Me The Statue & The Brunettes

Indie pop at it’s finest.

9:30 Nurses

10:30 The Brunettes

11:30 Throw Me The Statue

At the Annex.

Words & free songs at Daytrotter:

The Brunettes’…couldn’t be more clear in describing the attraction than they are in “Stereo (Mono Mono),” a song that lets the man/papa mono be the sound coming from the right ear and the woman be the sound coming from the left ear of a headphone. They’re coming from different places, they meet up in the middle and they sound best in tandem…read/listen more

Throw Me The Statue’s Scott Reitherman…sings in a manner that could itself light a table full of candles, the slowly spilling and rolling off the side of the molten wax, the effects of his carefully chosen words and the temperature of which his speaks….read/listen more

This Week’s Shows- All You’ll Need

Need a break but lamenting the price of gas and the tumbling economy?  No need to leave town- experience the world through your local music venues.  This week in Madison offers up country, bluegrass, jam band, acoustic, americana, ska, reggae ,pop-punk, indie, folk, hip-hop, alternative, and surf from all reaches of the world.  Feel better?  Thought so.

Friday, October 17

YONDER MOUNTAIN STRING BAND

Genre: Country, Bluegrass, Jam Band

“With little radio support, Yonder Mountain has become one of the fastest rising touring bands in the country, its fanbase having ballooned over the past five years through steady gigging and high-profile festival sets, all of which are full of improv and none of which feature the same set list.” -yondermountain.com

Similar to: The String Cheese Incident, Railroad Earth, Phish, Old Crow Medicine Show

9:00pm @ Orpheum Theatre  (608.255.6005)   Tickets $25 adv $30 dos — all ages

BUY TICKETS NOW !

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Saturday, October 18
An Evening with PERT ‘ NEAR SANDSTONE 

Genre:  Acoustic, Americana, Bluegrass

“They call themselves a ‘new-timey string band,’ but if you see them in action you would say they’re a steamroller of energy. Pert’ Near Sandstone plays bluegrass, both original and traditional, but they bring the old music to a young audience with their enthusiasm, tight harmonies and class.” -Dale Connelly and Jim Ed Poole, Minnesota Public Radio

Similar to: Twin-A, Will Bernard, The Goondocks

9:30pm @ Cafe Montmartre  (608.255.5900) $8 – 21+
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Sunday, October 19
SLIGHTLY STOOPID 

Genre: Ska, Reggae, Pop-Punk

Similar to: 311, Sublime, Fishbone

and B FOUNDATION with OUTLAW NATION  8:00 pm @ Barrymore Theatre (608.241.8864) $20 adv $25 dos – all ages
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JENNIFER O’CONNOR 

Genre:  Indie, Folk

“Over the past 6 years, Jennifer’s gotten scary good at this sort of thing, so much so that most other contenders for the hypothetical Nobel prize for Witty Pop Songs W/ Heart are either former members of this label’s roster (we’re thinking Manning/Phair/Daniel but if you wanna nominate someone more contemporary, please go right ahead) or they’ve already been embalmed in the Rock & Roll Hall Of Fame.” -highroadtouring.com

Similar to: Elliott Smith,, Kathleen Edwards, Liz Phair, Kimya Dawson

with PATCHWORK 9:00pm @ Cafe Montmartre (608.255.5900)  $8 adv, $8 dos – 21+
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Monday, October 20
MURS 

Genre: Rap, Hip-Hop

“He may not have either the Democratic or Republican nomination, but California indie-hip-hop mainstay Murs (an acronym for “Making Underground Raw Shit”) is throwing his hat into the election ring with his seventh solo album and major-label debut, Murs For President, out tomorrow on Warner Bros. Murs For President finds the underground-rapper-gone-big-time retaining his verbose and engaging flow while sticking to the soulful, jazzy beats that have marked his best records, notably 2004’s Murs 3:16: The 9th Edition.” – SPIN

Similar to: Aesop Rock, Atmosphere. Brother Ali

with KIDZ IN THE HALL  9pm @ High Noon Saloon (608.268.1122)  $14 adv $16 dos – 18+
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MISSY HIGGINS

Genre: Pop, Alternative, Rock

“It wasn’t just that Missy Higgins played piano, or that she was barefoot. It was that she was, in her approach, doing what [Carole] King did in the 1970s: shunting aside any notions of how she ‘should’ look or what she “should” sound like, and focusing instead on strong melodies and earnest lyrics.” – Jon Gilbertson, JS Online

Similar to: Katie Melua, Norah Jones, Ingrid Michaelson, Kate Nash

with special guest JOSHUA RADIN 8:00pm @ Majestic Theatre (608.255.0901)  $16 – $23 – all ages
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Tuesday, October 21

THE EXPENDABLES 

Genre: Rock, Reggae, Surf

“Anyone who’s ever been to an Expendables show knows what Weers is getting at. To say that the band goes all out is a severe understatement. By the end of every performance, the band appears physically deflated–drenched in sweat, hoarse and half-drunk. But that’s the Expendables: balls to the wall, no exceptions.” -Garrett Wheeler, metrosatacruz.com

Similar to: The Aggrolites, Sublime, Pepper

with special guests OPM and REBULATION  8:00pm @ The Annex  (608.256.7750)  $12 adv $14 dos – 18+
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Interview: Murder By Death

When you have a voice that sounds like a resurrected Johnny Cash dabbling in the forces of evil with Glenn Danzig, no one really expects songs about girls, cars and endless summers to come rolling off of your tongue. Indeed, Murder By Death’s Adam Turla is well-accustomed to narrating stories through song with heavier themes – sin, guilt, revenge, and (of course) death, just to name a few. However, the band’s most recent full-length release, Red of Tooth and Claw, is much more than an assortment of direction-less tragedy. Murder By Death bring the spirit of centuries old Americana to life with haunting, ragged tinged tales that instantly provoke brutal self-reflection. In anticipation of their Friday show at the Annex, Turla recently took the time to answer several questions about the band’s inspiration, and the art of storytelling.

Tell me about how you all found each other and created the band.

We were drinking buddies at college in Bloomington, Indiana – thought it would be fun to have a different kind of band.

What were your musical experiences growing up?

I took blues/jazz studies from 13-16 and occasionally played live in a group with my teacher in Detroit. Sarah [Balliet, cello/keys] went to high school at a youth performing arts school in Kentucky, and Dagan [Thogerson, percussion] and Matt [Armstrong, bass] were always looking to be in rock bands.

What inspired you to start writing?

A lack of anyone else I knew writing original stuff. Same reason I started singing.

There’s a line in “Boy Decide” that goes, “You’re too old to fuck around and too young to die.” Did you relate to this stuck-in-the-middle kind of existence before making the decision to seriously pursue music?

We never actually made a decision to seriously pursue music. It kind of just happened, and suddenly it was our lives. Sarah actually came to Indiana University with the intention of going to the music school here (one of the best in the country) and then decided she didn’t want a music career…ironically, two months later, she joined the band that gave her one.

That line from “Boy Decide” is very reminiscent of topics like aimless youth, societal dissatisfaction and moments of significant personal choice that were popular with beat poets. Is literature a big influence for you? If so, who are some of the writers you admire?

Literature is a huge influence and interest of mine. When I was 15 the beat poets were of major to interest to me with themes of Buddhism (which I went to college to study), and travel. My favorite authors have been pretty steady for the last 5 years, Ernest Hemingway, John Steinbeck, and Gabriel Garcia Marquez.

How did Tent Show Records come about?

A strange record deal that involved having our own label that was paid for by someone else. It worked and didn’t work—we didn’t have time to run a label for anything but our own bands and didn’t want to sign a band and then not have time to work hard for them.

How do your songs usually evolve from initial idea to finished piece?

I write the melody and lyrics all in my head and then eventually show it to the band who make it real.

How much of your own life are you comfortable injecting into your music?

Some, but like my favorite authors I like to fictionalize some of it and wrap a shroud of mystery around some of the stories.

Why do you think music is such an effective vehicle for the stories you create?

Brevity. I have more trouble writing long passages.

There’s a Greil Marcus quote that says, “It is a sure sign that a culture has reached a dead end when it is no longer intrigued by its myths.” Taking this into consideration, it seems that your band is doing all that it can to perpetuate American culture. What attracts you to the mythology and romanticism of old America?

Exactly what you are suggesting – fear of a dead end in culture. With 500 channels on cable, entire neighborhoods of boorish taupe monstrosities, and Paris Hilton a major news figure, I try to give people a little more credit for the kind of material they can take in. We create stories that attempt to have a meaning, rather than temporary entertainment.

Your lyrics frequently describe themes of physical suffering and a kind of dark emotional desperation that isn’t always easy to find in modern music, but they’re common in old traditional folk and blues. Do you think our generation is at all affected by the more “sanitized” content in popular modern art, music and literature?

Maybe. I think giving people only media that is easy to swallow is practically criminal. Ok ha maybe not that bad. But luckily there will always be an ebb and flow of intelligent trends in order to counteract the inane.

Lots of your songs (like “The Big Sleep” for example) seem to hint at religious prophecy. Do you look to religious texts as models of powerful storytelling?

The greatest, most insanely improbable stories are our religious stories. They illustrate peoples’ fears and hopes.

Do you ever worry that the excitement of your music takes away from the power of your words, or does it alternately serve to amplify their affect?

We attempt to have the music evoke the tone of the lyrics – we spend a lot of time trying to create an interplay.

Tell me about recording Red of Tooth and Claw. How did that experience compare to the recording of your other albums?

We were very practiced and just blew through the 3 weeks. The producer Trina Shoemaker was a badass – we just went in, played 2 or 3 takes and it sounded great. It was a very organic recording with few little edits.

What do you enjoy about performing live?

Everything.

What is the most important thing you try to achieve when sharing your music with a crowd?

Not fucking up because my mind wanders.
Murder By Death will be in town on Friday the 29th for their 9:30 pm show at the Annex. Madison’s own National Beekeepers Society and Crane Your Swan Neck open the show.
-Shelley Peckham

Murder By Death- Brother

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August 27, 2008

A Local Band’s Golden Rule: Show Up

Jimi Hendrix gained attention by joining Eric Clapton onstage in London in 1966; The Stooges were signed when a record company went to scout out the headlining band MC5; Nirvana’s success helped catapult the Melvins. The Toadies got their start when fellow bands Decadent Dub Team (Cottonmouth TX), Last Rites, and the Buck Pets helped them land gigs in Dallas when in the past the task seemed impossible.

There are countless other examples of bands helping out their counterparts gain attention. And there is much to be learned from the path to national success of crucial bands throughout history, lessons applicable for local Madison Bands.

Recently I was watching Axiom, a local Madison alternative rock trio with a sense of humor; take the stage at their CD release party, when I took a glimpse at the crowd. The room was full of people, of course, but what really caught my eye were the other local bands in attendance. Local Madison bands not on the bill like Triibe and Lords of Discipline were in the house, and Kill Junior stuck around after their own high energy set.

It got me thinking of how important it is for local bands to be supportive of one another. Not only by coming out to the shows, but in all aspects of influence and cooperation. Sharing practice spaces and recording times, providing an opportunity for a fellow local band to play a show with you, and most importantly spreading the word about other local bands.

I got the chance to speak with Axiom after their stellar show, complete with lightsaber battle. When I brought up the subject of local band alliances, they were quick to point out “It’s important for musicians to treat their music scene as a community. If we don’t support each other, who will?” The support isn’t limited to hooking other bands up with shows, but also in musical influence. A band’s sound is in constant evolution. Axiom takes their influences from national acts such as Tool and Primus, but also credits local bands like Kill Junior, Ignorus, and Sunspot as an influential part of their sound. Evolving a unique sound to call your own is the essential appendage in the survival of the fittest in this unpredictable music industry.

lightsabers

lightsabers

In other words, succeeding in the music biz, even on a local level, involves cooperation. As Axiom stated in our interview, “The Madison scene is hit or miss… It would be nice to see the Madison scene revert back to the way it was 10-20 years ago, when everyone went out to their favorite bar to watch bands.”

Most working bands and musicians dream of making it big, gaining recognition regionally, nationally, somewhere other than their home town. And most want to see Madison become a national hot spot for music, a smaller version of Nashville or L.A. sans the cowboy boots and glitter.

What I’m suggesting is some kind of “golden rule” for local bands: If you want others to show up for your gig, you must to the same and show up for them. You never know where it could lead.

You can start out by checking out Meteorade opening for XYZ Affair and Roomate at High Noon on July 27 or the The Box Social opening up for the Toadies and the Whigs at the Annex on July 31. And don’t forget Kurt Cobain’s favorite band, the Melvins, at High Noon on August 3.

Katie Jo Crubaugh, True Endeavors Public Relations Intern

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A Week in Live Shows

Can you keep up after last weeks intense run? Oh yes you can! Summer is rolling around and that means tour schedules will slow down- so get it while it’s hot (or at least before you have to travel 4 hrs. for a touring band and a beer)!

Friday May 2

THE DIRTBOMBS with special guests DAN SARTAIN & TERRIBLE TWOS

Genre: Rock

“..rock and roll at its pure, shaggy best. If you’re tired of that, you’re tired of life…” -Splendid

Chains of Love- The Dirtbombs

10:00 pm @ High Noon Saloon 608-268-1122 $12 adv – 21+

BUY TICKETS NOW!

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Saturday May 3

BLACK REBEL MOTORCYCLE CLUB with special guests THE DUKE SPIRIT

Genre: Rock

“..proclamations about life and the Devil growled over careful acoustic strums and tiny wisps of pedal steel…” -Pitchfork

Dane 101 Interview

Two Free BRMC Song Downloads

Saturday 9:30 pm @ High Noon Saloon 608- 268-1122 $16 adv / $18 dos – 18+

BUY TICKETS NOW!

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Sunday May 4

RA RA RIOT + THE LITTLE ONES with special guests HEY CHAMP

Genre: Indie/ Folk Rock

“Ra Ra Riot – a band of Syracuse University students past, present and on hiatus – find that balance — already in its short life, literally putting heartbeats and pacemakers into the stuffing of all of the songs that they’ve thus far put to their name – an explosive tag of cheerful and misleading aggression…” -Daytrotter

Dying is Fine- Ra Ra Riot

Four Free Ra Ra Riot Downloads from Daytrotter

The Little Ones..are here for you to feel better about yourself, once the cabin fever has lost its control and you’re free to go. They taunt everything from the waist down — on everyone within a 10-mile radius — to not go on and freak out all over the place with euphoric spasms becoming dancing and universally recognized getting down…” -Daytrotter

Lovers Who Uncover- The Little Ones

Four The Little Ones Free Song Downloads From Daytrotter Sessions

Three The Little Ones Free Song Downloads

8:00 pm @ The Annex 608- 256-7750 $10 adv – 18+

BUY TICKETS NOW!

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Monday May 5

HIGH NOON SALOON CELEBRATES FOUR YEARS featuring DEAD MEADOW with special guests DARK FOG & DROIDS ATTACK

Genre: Indie/ Psychadelic

“..the band can strum hypnotic, Eastern-tinged folk as it well as it pounds hypnotic, Sabbath-style riffs.” -Onion AV Club

What Needs Must Be- Dead Meadow

Five Free Dead Meadow Song Downloads

9:00 pm @ High Noon Saloon 608- 268-1122 $8 adv / $10 dos – 18+

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$1.50 PBR bottles all night & FREE Pizza from Glass Nickel!

Thanks to WORT FM and The Onion!

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Tuesday May 6

TEGAN AND SARA Out of Hibernation Tour with special guest AN HORSE

Genre: Indie/ Pop/ Alternative

“..defying conventional notions of rock rhythm, and featuring songs that seem to go through at least three melodic changes before recycling.” -Onion AV Club

Walking With A Ghost- Tegan and Sara

Free Tegan and Sara Song Download

7:30 pm @ Barrymore Theatre 608-241-8864 $25 adv – all ages

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Thursday May 8

JIM WHITE with VID LIBERT

Genre: Americana/ Alternative/ Country

“With accompaniment as varied as vocals from Ollabelle and Brazilian percussion from Mauro Refosco, White still keeps us off balance with rich, unpredictable textures that convey lost-in-the-backwoods disorientation.” -Billboard

If Jesus Drove a Motor Home- Jim White

Listen to NPR World Cafe – March 5, 2008 Jim White in-studio performance/ interview

8:00pm @ Orpheum Stage Door 608.255.8755 $15 adv $17 dos – all ages

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No giveaway on this post darlins’ but check back on Monday- that one’s a guarantee! Continue reading